• Profile picture of Anna
    • Anna Gimein
    • Madrid / New York, Spain / US
    • dance, movement, the human body, the human mind

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    • Ronald V Bijleveld
    • Amsterdam, Amsterdam
    • All work is shot on real locations around the world Anarchistic from nature i like to address social and geopolitical issues who have to be dealt with for an more honest and equal world society ! Returning Four pillars are Religion Kaptital, Fasism and War . On Aesthetics, : Form , shape , Landscape, Human interactions , Poetry ...Beauty ,Dead ,the sound of the wind ,and sometimes ...Nothing conscience at all !

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    • Christian Zanotto
    • Amsterdam, Netherlands
    • Christian Zanotto has been awarded with the “Prize for Digital Art” by the jury of the “Prize for the Arts – Prize for the Culture ”, Milano, IT, 2007 Who exactly is Christian Zanotto? Good question, but do you really think I have an answer for that? Well, I can tell you that I’ve been working on it for a long time and when I look at my artwork that’s where I can find traces and clues of it, of who I am… Talking about your creative work, when did you first realize that you were an artist? I can recall many moments in my life in which drawing and building have been of great importance to me, but my first notion of being an artist became clear when I was at the elementary school, where I came across the concept of “poetic licence”, and I’ve been endlessly fascinated ever since. How did you continue your studies? I’ve always been keen on art, starting from the high school at the Istituto d’Arte to the Academy of Fine Arts in Venice. But my research still continues each and every single day. When exactly did technology become part of your artistic process? I’ve always been attracted by computers, actually I think I’ve owned all sorts of computers, from the oldest models on, but most of all I’ve always been fascinated by calculators, quartz watches, robots and lunar expeditions… I started including all this material in my creative process while I was attending the Academy in Venice and all this has become a means through which I could mix with my paintings, sculptures, photographs and my video making knowledge. What about your choice of figurativeness? Through working with figures, particularly human figures, I’ve found that it is like working in front of a mirror; and the human body is pretty much connected with the concept of “eroticism” which I believe is the key to reach and enter the innermost and primitive side of the human being, a place from where all thoughts, sensations and reasoning originate. I satisfy my need for abstraction by creating structures, systems or imaginary and whimsical machines… Mechanisms and gears fascinate me! Where do you get your ideas and inspiration for your artwork? The planning phase is exclusively mental: it’s mainly a visualization process which I then concretise and render in a 3D virtual space, working as if I was on a theatre stage (with postures, costumes and scenic objects); I’m always driven by curiosity towards the process of “evolution” and by that peculiar sensation of disorientation and astonishment provoked by the transformation of mental imagery into digital form. That same evolution process leads me to the analysis of the scene created and then to the reabsorption of it, by means of an inverse process. Can you tell us something about digital images: how do you make them compatible with an exhibition area? The design phase plays an important role in my creative process: when there’s no projection or video animation of an object/art piece then it requires a careful and coherent study which crosses both the image itself and the means. For example, in my “Horlogerie Exquise” exhibition, I opted for the photographic transposition of digital images onto large crystal sheets, framed in fibreglass structures. What feeling generally moves you the most? The sense of relativity and a mixture between time and space, the lack of coherence characterizing any ego disconnected from reality and the consciousness that there are no certainties or absolute judgements, a disorienting and disarming sense of freedom in which I can maintain my lucidity and equilibrium. How would you describe yourself? Very much alive and enchanted. Is there anything you want to say to our readers? I would like to thank them, hoping they will find a logic in what I have tried to explain and an interest in my artwork. At the same time I thank you for your questions, it will be very interesting for me to read this interview, where maybe I’ll spot a hidden part of me… See you soon, and thanks again.

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    • James Andean
    • Helsinki, Finland
    • Audiovisual art, video art, live visuals, sound art, 3d mapping, virtual architecture


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    • Javier Chozas
    • Madrid, Spain
    • I reflect throughout my work on the relationship between man and time mainly focused in unfinished situations or repetitive processes. I find that these states are susceptible to changes and simultaneously the base of static situations that build the human kind. This interest has led me to explore the transformation power of routines, the mechanisms of History construction, the evolution meaning of icons or the value of remains among other subjects. Al the elements present in these processes are equally balanced and are basic in the pursue of freedom by the individual.

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    • felipe ortega-regalado
    • Seville-Spain, Seville-Spain
    • I'm interested in drawing, I do not mind the media. I think the idea should prevail on the discipline. Seeking poetry evocation.


    • Profile picture of Ronald
    • Ronald V Bijleveld
    • jelgawa, Amsterdam
    • There is al lot of story "s to tell out there in the real world.

    • Profile picture of Seungtae
    • Seungtae Nam
    • Fort Lee, U.S.A
    • My goal is to transform the energy and intimacy of the inner world, and with flexibility to improvise, creating irregular shape and space. Using a new vocabulary.

    • Profile picture of PACO
    • PACO PUENTES
    • SEVILLA, SPAIN
    • I'm interested in the participation as artist


    • Profile picture of Joanna
    • Joanna Wlaszyn
    • Paris, France
    • My research, publications and projects touch on issues of aesthetic relationship between art, architecture and technology, with a particular focus on the experimental architecture and its technological modes of production, reception and representation.

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    • Juancho Arregui
    • Madrid, Spain
    • Seventy-five years after Walter Benjamin reflected on the work of art in the age of mechanical reproduction, I ask a new reflection on the state of the question in contemporary artistic creation. Can the aura lost by industrialised artistic objects have passed into the places that house them? Is the container and not the contained the new depository of the aura? Is it possible to apprehend said aura? These and other questions are what my work intends to approach. A tectonic and auratic approach to the materiality of art.

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    • arjang omrani
    • cologne, germany
    • I think an Anthropologist at the end is an artist and vice versa. Shared Anthropology is the notion I try to develop, in collaboration with the participants of each project, and implementation of the Audio-Visual methods as the mode of representation.

    • Profile picture of Bjarni
    • Bjarni Wark
    • Moruya, Australia
    • Part Pencil // Part Machine // Full Human - A well rounded creative for print & web.

    • Profile picture of joanna
    • joanna wlaszyn
    • paris, france
    • my research, publications and projects touch on issues of aesthetic relationship between art, architecture and technology, with a particular focus on the experimental architecture and its technological modes of production, reception and representation.

    • Profile picture of María José
    • María José Chinchilla
    • Granada, Spain
    • My artistic work has two different paths, but intertwined: The first is a deep and quiet path where the works come from a look inside, with existential questions and meditations on life and death. The second looks outward, and attempts to expose the dark corners of the system, of the world we live in, in order to influence the injustices around us, causing small changes or mutations.