• Profile picture of plamenart
    • plamenart Yordanov
    • Chicago, USA
    • I share the idea of an art that creates new reality instead of offering its conventional model. I want to provoke the birth of view that goes beyond the boundary of reality itself. Viewpoints which stress an order that exists "a priory" in nature and can be developed again and again… Aspect that makes the work to exist as a signal, giving the onlooker a chance to go deep into his/her life experience and mind. Universal signals to which the individual responds in a unique manner and creates his/her own reality.

    • Profile picture of carmenespla
    • carmenespla Esplá
    • Barcelona, Spain
    • I think that… Art ... is intimate, sincere. Art which moves me, makes shake me and which makes shake you, which contains emotions and feelings ... that's what makes vibrate me when I paint and when I ´m back-front of the camera. Art ... which hides my vital need, my way of being, of behaving ... a way of life. I´m interested in the art which i can feel more than the art which is thought and this's what I try to express with "my art". I like to tell stories, describe situations either through video or colors in my hands; discern feelings of different experiences in my life, so many emotions! ... My art is more sensual than intellectual, in the most authentic and pure definition of "sensual". In my paintings and illustrations you can see influences from various styles like impressionist painting, art brut, pop art, naive painting, shamanic art, rock art, street art ... In my videos: Corporeal Identity. I consider that the most important is talent specific to each person which expressing through different techniques and different formats on their personal experiences. I´m influenced and identified in the painting with artists as Henri Rousseau(“Woman Walking in Exotic Forest”),Vincent Van Gogh(“La noche estrellada”, “Des sterrennacht”),Edvard Munch(“Moonlight”), Auguste Herbin(“Bailleux II”),Vilmos Huszár(“Vincent”), Max Ernst(“Paysage avec lune”),Victor Brauner(“Gemini”), Karel Appel(“Grito de libertad”),Yayoi Kusama, Sue Williams(“Portrait Of The Artist As A Young Woman”), Jean Michel Basquiat(“Carbon/ Oxygen”),Rigo 23 … In video artists as Marina Abramovic, Dan Graham, Doug Aitken, Gary Hill, Robert Cahen, Peter Campus, Clearbout, Candice Breitz, Tony Oursler, Aernout Mik … And finally in dance Laban, Carolyn Carlson, Pina Bausch, Mª José Ribot… www.carmenesplaespejo.blogspot.com

    • Profile picture of mtrastoy
    • mtrastoy Mónica Trastoy
    • Barcelona, Spain
    • I am interested in working with the structural elements of painting to create an image that extends beyond the limits of picture. I use the wall as a large canvas extending the limits of the painting outside the frame. The painting in this way makes the viewer see the wall as a part of it.

    • Profile picture of slavnedev
    • slavnedev Nedev
    • Sofia, Bulgaria
    • I see a work of art as a kind of dream, a matter, which in its silent vagueness conveys what sometimes clear conceptual thinking cannot communicate and is otherwise inexpressible. Paradoxically the most important think in a visual work of art – its spirit – is actually invisible. I always need to get involved emotionally and mentally with a subject in order to start exploring it through the means of art. Usually such involvement results in a series of works that often evolve through the years. However the things I am interested in are the idea, the principle, the type, and the relationship between man and environment. In this sense, even when I paint concrete objects, I am an abstract artist, as far as “to abstract” means to remove or subsume concrete details with the purpose of reaching a more general idea.

    • Profile picture of cripave
    • cripave Pavesi
    • Milan, Italy
    • My procedure is somewhat philosophical, if this term can be used to mean the pursuit of knowledge, of getting to know oneself and the world. My videos refer to art history, to classic genres of landscape and still life, a sense of cyclical inevitability of life prevails. My videos since 2002 have consisted of short visual metaphors, brief reflections of thought which the image is the interpreter of. For some years the still life built in studio is linked to the ancient painting. This genre was used to better express the concept of Vanitas. So in my video still lifes the genre revive through the time factor and the movement which intensify this same concept expressing uncertainty, uneasiness due to precarity and continuing evolution of change conflicting the illusory aspiration to the status quo.

    • Profile picture of Rosee
    • Rosee Camafreita
    • Miami, Florida, United States
    • I believe that seeing comes before words, my purpose has always been to share the way I see. My main theme is in creating strong and dramatic abstract images that I call 'Menacing Abstractions" because of their dark and mysterious nature. I use a camera as an artistic medium and a tool for experimentation. Lately being inspired by my images, I began to paint in acrylics, which has led to a new way of experimentation with this medium. Rather than recreating my photographs on canvas, I aim to express their essence in order to capture their power. .

    • Profile picture of Juan Carlos
    • Juan Carlos Sánchez Duque
    • Ciudad Real, Spain
    • I am interested in the symbiosis between the organic thing and the technological thing as source of inspiration that it communicates with the spiritual of the human desires. The video is for me the most natural way of expression though I don't leave of side other artistic aspects.

    • Profile picture of Khalil
    • Khalil Charif
    • Rio de Janeiro, Brazil
    • All forms of artistic expression.

    • Profile picture of Neno
    • Neno Belchev
    • Varna, Bulgaria
    • I am a multidisciplinary artist, who believes the most important thing being an artist is to have freedom of thinking. When I work, I try to understand the way, how we, the humans, perceive the world. How we interact with our surrounding environment. Based on this, my last works have been realized on way, representing the idea on many layers, arranged in multiple levels; from the shallow to the deepest, and which can be understood in many different ways.

    • Profile picture of Juan José
    • Juan José Acevedo
    • Berlin, Germany
    • My pictorial research consists basically in the development and construction of a non-representative objectivity of different materiality and scale, determined by the articulation of the compositional variables line, form and color.


    • Profile picture of sergito
    • sergito Bacao
    • Bratislava, Slovakia
    • During his studies at Sculpture studio of Jozef Jankovič, Sergio attended several sculpture exhibitions and symposiums. After completing his Masters in Oporto and returning to Slovakia, he switched to painting, drawing and collage. He combines disparate elements inserting objects into paintings (e.g. chips in 'Senhorita Batata Frita') or cut out pictures from the packaging and promotional items symbolizing the consumption. The chocolate boy has become a typical feature of Bacao. In several paintings resonate the topic of commercial culture and its criticism, as the author himself has said - we are surrounded by a commercial world which makes us very vulnerable (eg 'Vulnerability'). However, Sergio comments this world rather than directly criticizing it. His pictures are rather witty allusions to bind to the object of desire which can be a simple chocolate. The blond boy with a sweet smile in his face has become the logo of his works which he can cut out ten copies for one collage. Multiplication is the mean for propagation of commercial items and Sergio shows it now ironically. His smiles are a caricature of the 'american' smile and joy and parodies the material sufficiency. Irony does not abandon him even in other pictures when 'One for all and all for one' shows a whole family with the same face sitting in front of the TV that shows the one same face and on the right side a plant grows the one same face, or when a beauty of the Ads is shown as 'Meat'. Some works are much more personal and arose because of events that happened in Sergio's life. '3o tomate, 3.vajce, 3rd ball' is a game with different denominations of the male testes in various languages (Slovak, Portuguese and English) but it was painted due to an unpleasant disease personally experienced. 'Amor (Love)' – this painting might explain the cause of his staying in Slovakia: a slightly ironic diptych representing two deformed figures surrounded by a very hearted cardiac image. In the painting 'Seven years in Slovakia', the Slovak flag appears sewn to the Portuguese in which Sérgio's silhouette shines through. It is a symbolic image representing the two homes of Sergio. The sculptural objects are a return to the beginnings but dominant in the Sergio's production became the funny and ironic collage-comments to things around him and a collection of personal records. The exhibited is also a kind of playing with forms and experiments where the Sculptor is sometimes acting foolish but always through very refreshing creations.

    • Profile picture of Dan
    • Dan Frank
    • St. Louis, United States
    • _____________ This section feels like an online dating profile.

    • Profile picture of jose maria
    • jose maria osuna
    • toledo, toledo (spain)
    • i am interesting on structuralism geometry painting

    • Profile picture of celine
    • celine Ali
    • Constanta, Romania
    • I'm 14 years girl of turkish nationality.I was born and I live in Romania. My only passion is painting,and I'm interested to participate at group ehibitions,and to receive news about plastic and fine arts.You can see part of my works and my contact details,on : www.celineartist.com,to mention that soon will appear several other works on my website.

    • Profile picture of andstys
    • andstys ...
    • Croydon, U.K.
    • seek - explore - create *I am interested in Winnie-the-Pooh's Taoist beliefs. Also, I love cinema and Mexican Miracle Paintings.

    • Profile picture of moon
    • moon Luna
    • Tlaxcala, México
    • fotografía, Instalación, performance, pintura

    • Profile picture of Victor
    • Victor Syrnev
    • Bishkek, Kyrgyzstan
    • I am inspired by wildlife and sorcery of ancient masters. Creation of ornaments, it is always a dialogue between a material and an idea. Metal – it is a living and spiritual partner, it participates in work, introduces the corrective amendments and is the co-author

    • Profile picture of lisiprada
    • lisiprada Prada
    • Madrid, España
    • VideoPoética. Una poética del VideoArte [en la dialéctica filmar-editar] . ‘Todo tiene lugar mediante regalo y captura’. Deleuze, Diálogos. Ed. Pre-textos, 1980 Mirar lo invisible. Beber imágenes, degustarlas, aprehender su sintaxis y transliterarla. Escuchar la voz de los ojos. Explorar el borde silencioso y empujarlo al vítreo audible. Ver. Ser ingenuo e intuitivo, olfatear, hilar, perturbarse imbricando la letra en su ritmo. Conmoverse. Deconstruir, reconstruir, ordenar el caos, caotizar el orden. Armonizar. Transitar la irreal realidad. Ser sincero, develar, .arriesgarse. Significar el sinsentido. Dejarse fluir, maravillarse, dolerse, entusiasmarse. Leer entre líneas, jugar, .interlinear. Despertar la belleza. donde no estaba. Herir el aliento, latir en el yunque del suceso. Descubrir .de las sombras .el pulso interior. Quebrarse atravesado por la luz oscura. Disfrutar, gozar, enamorarse. Experimentar, repetir, innovar. Diferenciar, fundir, fundar. Hendir lo cotidiano. Ejercitar la mirada otra; mirar sobre y detrás, mirar dentro. Atrapar. Detenerse en lo diminuto, eclosionar lo simple, indagar lo complejo. Reflejar, reflejarse. Enajenarse, arrebatar-se, encontrar-se. Romper el yo en la metáfora. Ser metonimia. Coleccionar infinitos. Inventar tu propio lenguaje, seguir tus propios pasos. Con-versar. Incorporar el objetivo; ser subjetivo. .Anticipar el instante; ser paciente, rápido, exacto. Mirar la nube y el suelo; el ala y la hierba; la madera, las gentes, el hierro, el cemento. Ser consciente, estar atento. Dejarse sorprender por lo improbable. Aceptar el regalo. Capturarlo. Libar la urdimbre en el telar de la memoria, tejerlo en presente continuo, cortar el verso, re-cortarlo; darle incierto punto final y desprenderse, liberarlo, regalarlo.

    • Profile picture of Pietro
    • Pietro Reviglio
    • Turin / NewYork, Italy / USA
    • Applying a scientific approach to the analysis of visual elements and using physics as a pictorial medium, his work experiments with the physical process of image formation and perception, visual narrative and the kinematics of images, exploring the borderline between the rational and the irrational, the conceptual and the physical, the mathematically predictable and the stochastic. For more info http://www.reviglio.com